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100 Great
Copywriting Ideas
Andy Maslen
ISBN: 978-0-462-09943-9
IDEA 1: It’s not about
you (or is it?)
Remember that classic scene in the 1976 film Taxi Driver? As Travis
Bickle, the somewhat unhinged taxi driver of the title, Robert De
Niro stares at himself in the mirror of his apartment, brandishing
a large-calibre handgun and uttering his famous speech that begins, ‘You
talkin’ to me … ?’ The problem with
a lot of copy is that it isn’t ‘talkin’ to
me’. If anything it’s talkin’ at me. That’s
a big difference because the centre of the universe in that kind
of copy is the writer. But who cares about the writer? Certainly
not the reader.
The idea
From Magnet, a kitchen company …The way to ensure your
reader feels you are talking to them is to use one simple
little word, over and
over. That word is ‘you’.
So in answer to the question that heads this idea, it is about
you, if by you we mean the reader not the writer.
Here’s a great press ad for Magnet that begins by talking to
the reader and never lets up… It’s only
by getting to know you, your wants, needs and desires that Magnet
can create kitchens that are as individual as you are.
In 87 words of body copy, ‘you’ or ‘your’ appear
eight times. There are just three references to Magnet. In fact that’s
just about the perfect ratio of reader:writer at 2.7:1.
Why
this works is because from the reader’s perspective, the
copy is all about them: their concerns, their motivations, their
problems. It’s like talking to someone at a party who asks
you lots of questions about yourself. We always warm to people
like that because they give us a chance to talk about ourselves.
Conversely,
if you keep using ‘I’ and ‘we’,
your copy starts to sound remote and boring. After all, they didn’t
ask you to write a mailshot or email to them, so you’d better
make it relevant to them. They may have stopped turning the page
or clicking away because your headline was compelling enough to make
them want to know more. But the moment you start banging on about
yourself, you lose them.
In practice
When you’re writing copy, try to imagine a single
reader sitting in front of you. That’s who you’re writing
to. Not your ‘audience’,
your ‘target market’ or your ‘visitors’.
Just this one individual with whom you hope to establish a relationship
that will lead to a sale.
Aim for two to three ‘you’s to every ‘I’.
This magic ratio guarantees that your copy will be more about your
reader than it is about you. And that will keep them interested. The
99 other great sales ideas featured in this book:
2. Remember, you’re
selling
3. Headline idea – your
reader is selfish
4. The call to action
5. Another headline idea – objection
handling
6. Businesspeople love offers
too
7. Write as you speak
8.Wish you were here
9. On the web, it’s (even more)
personal
10. Grammar doesn’t matter … or
does it?
11. What not to put on your order form
12. Subject lines
13. Avoid clichés (like the plague)
14. Keep it short
15. Shiny, bright, exciting adjectives
16. Imagine…
17. Parting is such sweet sorrow (actually,
it’s just sorrow)
18. Long copy and why it works
19. Does your service live up to the copy
promise?
20. Do you dissolve your worries in a
solution?
21. Customers or cannon fodder?
22. Don’t just do something, sit
there
23. Online copy that grows your business
24. (Type) size matters
25. I object
26. It came from outer space
27. How web 2.0 changes your copy
28. The case of the missing case study
29. Write more and double your profits
30. There’s gold on them thar websites!
31 Why I hate teams
32. ‘I want’ does get
33. What do you mean ‘If’?
34. Send your copy by courier
35. Tips for powerful emails
36. Long words don’t always make
you sound more intelligent
37. Reassuring your online customers
38. Have fun
39. That formula
40. Is your copy FAB?
41. Southern fried planning
42. Give your reader a KISS
43. Short or tall?
44. Forget impact, go for understanding
45. When you don’t have time to
plan, plan!
46. ‘I just need to make one more
change’
47. Another headline idea: true or false
48. Be different
49. Utilise lexical economy, er, I mean
use short words
50. Almost unique
51. Find your customer’s pain points
52. Another headline idea: use ‘How…’
53. We’re not selling to you
54. Give your reader space to think
55. Let’s play 20 questions
56. Optimise for your customer first
57. Use storytelling techniques
58. Look at me! I’m smiling and
pointing at a laptop
59. The right way to use numbers
60. Ask your reader a question
61. You flatter me!
62. Your questions answered
63. How to go upmarket
64. Use pictures your reader identifies
with
65. Powered by facts
66. Selling to international managers
67. Skip skip intro
68. Satisfy their cravings
69. Tailor the message to the audience
70. Get a cross head
71. Create curiosity
72. Make your ads look like – and
read like – editorial
73. Watch that hackneyed image
74. Correct your prospect’s assumptions
75. A great golf tournament with a pretty
nice conference attached
76. Act like a magpie
77. Watch your readability
78. Say ‘Hi’
79. Grammar does matter
80. Will wordplay work?
81. Use language your customers can understand
82. Get them nodding
83. Dig down to the underlying proposition
84. Yet another headline idea – use ‘Now’
85. It doesn’t have to be A4, or
A5, or…
86. Cheese for Christmas?
87. Get your customers to speak on your
behalf
88. How to deal with high prices
89. What are they afraid of?
90. ‘Uneven numbers are the gods’ delight.’ Virgil,
The Eclogues
91. Horses beat camels
92. Befriend a designer
93. Use personal data intelligently
94. Start your sentences with And. Or
don’t.
95. Boring for whom?
96. Create a questionnaire
97. Give people a glimpse behind the scenes
98. HYPERLINK \l "_Toc223173840" Tap into people’s aspirations
99. Follow the law of gravity
100. Get to know people
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